Anteprima Canon 1D Mark IV e trasmettitore WFT-E2 II A - [BLOG]

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  1. #1
    MAN
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    Predefinito Anteprima Canon 1D Mark IV e trasmettitore WFT-E2 II A - [BLOG]

    24011_1d4_11


    A quanto pare coloro che pensavano che Canon avrebbe saltato il numero "4" per questioni legate alla*superstizione giapponese (shi 死 significa anche "morte") si sbagliavano. La nuova 1D Mark IV ha appena fatto il suo ingresso nel mondo delle reflex digitali professionali con un pacchetto di features che promettono di inasprire moltissimo*il confronto, già serrato, con gli altri competitor.
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    Tra le caratteristiche tecniche, tutte di nuova introduzione, di maggior rilievo, il sensore* APS-H (27.9 x 18.6 mm) da 16,Mpixel, il sistema AF a 45 punti con 39 di essi di tipo cross-type, la conversione A/D a 14bit a piena risoluzione e 10fps (!), il range ISO variabile da un valore di 50 ad un massimo di 102.400, la capacità di registrare filmati in qualità Full-HD ma stavolta con un controllo sulle impostazioni prima impossibile su una reflex (Full HD a 1920 x 1080 in 24p (23.976), 25p,*o 30p (29.97);*e 720p HD*oppure SD video a 50p*o 60p (59.94).). Per la prima volta sarà per esempio possibile riprendere in Full-HD a 102.400 ISO: che ne verrà fuori?
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    Canon insiste molto sulla qualità dell'immagine garantita dalla conversione A/D a 14bit e*sull'introduzione di due processori DiGiC 4 che consentono di raggiungere ben 10 scatti al secondo per un totale di 121 JPEG (max qualità) e 28 RAW in modalità scatto continuo.
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    Corpo in magnesio tropicalizzato e caratteristiche come l'immancabile schermo posteriore LCD a colori da 3" e 920.000 pixel completano il quadro, molto interessante, dell'offerta Canon. La nuova 1D Mark IV sarà disponibile dalla fine di Dicembre c.a. mentre per la nuova unità wireless WFT-E2 II A (supporto IEEE802.11a/b/g*e Ethernet)*bisognerà attendere Gennaio 2010. Il prezzo orientativo, in Europa, sarà di circa 5.200 Euro per il corpo macchina.

    Link di Approfondimento

    Canon Japan, prime immagini full-size e video

    Vincent Laforet, primo video 1080p a 6400ISO - [21/10/2009 - IL VIDEO E' STATO IMPROVVISAMENTE RIMOSSO]

    Canon, spiegazione dettagliata del nuovo sistema AF a 45 punti

    Imaging-Resource, anteprima dettagliata della Canon 1D Mark IV

    Specifiche Tecniche Complete


































































































































    Generale
    Produttore Canon
    Modello EOS-1D Mark IV
    Dimensioni 156 x 157 x 80 mm
    Peso 1.180 g
    Prezzo stimato €5.200,00
    Disponibilità prevista Fine Dicembre 2009
    Sensore
    Tipo di sensore Canon CMOS Canon CMOS
    APS-H (circa 1,32 pollici diagonale)
    17,00 megapixel (totali)
    16,1 megapixel (effettivi)
    Dimensioni immagine 4896 x 3264 (16,0 megapixel, JPEG / Raw)
    4320 x 2880 (12,4 megapixel, JPEG)
    3672 x 2448 (9,0 megapixel, M-Raw)
    3552 x 2368 (8,4 megapixel, JPEG)
    2448 x 1632 (4,0 megapixel, JPEG / S-Raw)
    Vel. di scatto Continua: 10 fotogrammi al secondo per 121 JPEG
    Composizione e revisione immagini
    Mirino Pentaprisma, 0.76x di ingrandimento, 20mm Piano focale, -3,0 a +1,0 diottrie di correzione
    100% campo inquadrato
    LCD 3",*920k pixel, 100% campo inquadrato
    Obiettivi
    Tipo di baionetta Canon EF (esclusi EF-S)
    Sistema di messa a fuoco 45 punti selezionabili dall'utente (39 mm f / 2,8 cross-type)
    Esposizione
    Sensibilità ISO Auto, da 100 a 12.800 (standard), da 50 a 102.400 (espanso)
    Vel. scatto 30 - 1/8000mo di *secondo, bulb
    Modalità di misurazione Sensore a 63 zone - Valutativa: collegata al punto AF. Partiale: 13.5%. Centro-media ponderata. Spot: 3,8% al centro, collegata al punto AF, o multi spot (otto letture sequenziali combinate).
    Compensazione di esposizione + / - 3.0EV in incrementi di 1/3EV o 1/2EV
    Flash E-TTL II / valutativo / media; x-sync a 1 / 250 (1 / 300 w / Canon Speedlite)
    Compensazione esposizione flash + / - 3.0EV in incrementi di 1/3EV o 1/2EV
    Self Timer Sì, 2 o 10 secondi
    Formati Video H.264 (. MOV) con audio
    Supporti
    Memorie CompactFlash Type I/II, SD/MMC
    File 14-bit .CR2 Raw, JPEG (EXIF 2.21)
    Connettività e I/O
    Video Alta definizione: Sì (HDMI)
    Definizione standard: Sì, NTSC / PAL
    Dati USB 2.0 High Speed
    Alimentazione
    Batteria Li-Ion ricaricabile LP proprietario-E4 + CR2025 batteria di backup

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    1dmk4_4_l1

    tropical

    29


    Press release Ufficiale Canon USA






    NTRODUCING THE ULTIMATE MULTIMEDIA IMAGING SOLUTION: THE NEW CANON EOS-1D MARK IV DIGITAL SLR CAMERA
    The crowning achievement of Canon's 1D Mark IV Digital SLR is its new autofocus system that starts with 45 AF points including 39 high-precision cross-type focusing points capable of tracking fast moving athletes or wildlife accurately at speeds up to 10 frames per second. With greater subject detection capability than ever before plus a newly redesigned AI Servo II AF predictive focusing algorithm, the Canon EOS-1D Mark IV camera sets new standards for autofocus performance among professional digital SLRs. Whether shooting for the six o'clock news or the front page, the EOS-1D Mark IV Digital SLR is the quintessential camera to freeze fast-moving action with high-speed stills or capture stunning HD video with dynamic color and image quality. To accompany the new EOS-1D Mark IV Digital SLR camera, Canon is also announcing a new accessory, the WFT-E2 II A wireless file transmitter providing photographers with a wide range of professional digital connectivity options.

    "Canon works hard to be the imaging leader in all our business endeavors. This goal has fueled our innovation and R&D efforts to engineer the most advanced autofocus system Canon has ever produced. We are proud to announce the camera that will deliver the ultimate in imaging quality to professionals working in all areas of multimedia imaging, whether it's action photography, photojournalism or HD video and cinematography," stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

    The Canon EOS-1D Mark IV camera will intrigue professional photographers in virtually every category from photojournalism and sports through nature, wedding, portrait and fashion to commercial, industrial and law enforcement. What makes the EOS-1D Mark IV camera different from its predecessors, in addition to numerous focusing system and image quality improvements, is its exceptional Full HD video capture capability. With this new level of functionality, the 1D Mark IV Digital SLR is destined to appeal not only to professional still photographers but also to a diverse market of professional videographers and filmmakers who are looking for exceptional Full HD video quality, amazing low-light performance, outstanding portability and a level of durability unheard of in most HD video cameras in this price range.

    New 45-Point Autofocus System
    The new EOS-1D Mark IV Digital SLR camera features Canon's most advanced Autofocus system to date. It is equipped with a newly developed 45-point AF sensor featuring 39 high-precision cross-type AF points, and an all new AI Servo II AF mode that gives still photographers the power and performance to track and focus a fast-moving subject at speeds up to 10 frames per second. With more than twice as many cross-type focusing points as the EOS-1D Mark III and a new AF sensor construction that improves performance in low light and with low contrast subjects, the EOS-1D Mark IV has greater subject detection capabilities than any previous EOS model. To complete the range of AF improvements, Canon has developed a new AI Servo II AF predictive focusing algorithm that significantly improves responsiveness and stability by making better decisions on focus tracking in a variety of shooting conditions.


    Amazing High ISO Performance
    Wedding and event photographers shooting in low light without the benefit of a flash can take advantage of Canon's widest ISO range and highest performance ever. The EOS-1D Mark IV camera's ISO speed settings range from 100 up to 12,800 in 1/3 or 1/2 stop increments with ISO Expansion settings of L: 50 for bright light or H1: 25,600, H2: 51,200, and H3: 102,400 for even the most dimly lit situations. Photographers and documentary filmmakers working in available light will be impressed by the low-noise image quality of the 1D Mark IV, capturing amazing still images and video footage even at speed settings as high as ISO 12,800. High ISO, low light still images are further enhanced by Canon's adjustable High ISO Noise Reduction feature, now a default setting in the camera.


    The EOS-1D Mark IV, EOS HD Video Powerhouse
    Over the past year, Canon's EOS HD Video technology has changed the way users capture 1080p HD video and opened new doors for multimedia journalists and Hollywood cinematographers alike with full manual exposure control, selectable frame rates, and interchangeable lenses on some of the largest and most sensitive image sensors on the market. Canon continues this innovation trend with the new EOS-1D Mark IV Digital SLR with Full HD capture and full manual exposure control, plus selectable frame rates on an all-new APS-H-sized image sensor that's similar in size to a Super 35mm motion picture film frame. The large sensor allows filmmakers to achieve shallow depth-of-field just as cinematographers have traditionally done using much higher-cost motion picture equipment.


    The more than 50 Canon EF lenses compatible with the EOS-1D Mark IV give videographers incredible creative options, including an impressive selection of large-aperture professional L-series primes as well as zoom lenses, macro, Tilt-Shift and Fisheye optics. The Canon EOS-1D Mark IV allows for three video recording resolutions - 1080p Full HD and 720p HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards. Sound is recorded either through the internal monaural microphone or via optional external microphones connected to the stereo microphone input. The camera also provides an in-camera video editing function allowing users to remove the start or ending of a video clip directly in the camera to eliminate unwanted footage and speed up post-production.

    Image Quality and Performance
    The heart of the EOS-1D Mark IV camera's outstanding image quality is a newly developed 16.1-Megapixel CMOS sensor featuring Canon's latest and most advanced proprietary technologies. These technologies include improved photodiode construction to enhance dynamic range and gapless microlenses that are positioned closer to the photodiodes for improved light gathering efficiency. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain.


    With 60 percent more pixels than the EOS-1D Mark III, the EOS-1D Mark IV Digital SLR employs Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for full 14-bit A/D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs is possible using a UDMA CF card. This camera also features three RAW shooting modes for versatility with Full RAW (approx. 16 million pixels), M-RAW (approx. nine million pixels), and S-RAW (approx. four million pixels). Three additional JPEG recording formats (M1, M2 and Small) are also available.

    The 14-bit per channel conversion facilitated by the dual DIGIC 4 Processors provides smoother tonalities in final images capturing all 16,384 distinct tones in each channel (red, green and blue) at the full 10 fps frame rate. RAW images shot on the new Canon EOS-1D Mark IV use the entire 14-bit space when converted to 16-bit TIFF files in Canon Digital Photo Professional (DPP) software, which is supplied with the camera at no extra charge. The 14-bit A/D conversion is also the foundation for Canon's Highlight Tone Priority feature that takes maximum advantage of the camera's extensive dynamic range to preserve detail in highlight areas of the image. Canon's new EOS-1D Mark IV Digital SLR also features an improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps.

    The EOS-1D Mark IV Digital SLR features Canon's Peripheral Illumination Correction function which corrects darkening that can occur in the corners of images with most lenses when used at their largest apertures. When activated, it is automatically applied to JPEG images and video clips as they are shot. For RAW images, it can be applied in DPP software.

    Other new features include a large three-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution and a wide 160-degree viewing angle for enhanced clarity and more precise color when reviewing images and shooting video. The new in-camera copyright information feature helps professionals secure control over images by setting copyright data directly into the camera and appending that information to each image file in the Exif metadata. Additional features include a fluorine coating on the Low Pass Filter to further repel dust and enhance the EOS Integrated Cleaning System.

    Minimize Post-Production with Enhanced Canon Auto Lighting Optimizer
    Action photography truly is all about speed, capturing a fast subject with fast focusing and fast frame rates. However, all this speed might be wasted if it is slowed down by lengthy post-production procedures to adjust image quality. The EOS-1D Mark IV Digital SLR helps reduce post-production work with a powerful new Auto Lighting Optimizer (ALO) system. When enabled, Canon's ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. By optimizing brightness and contrast in-camera, Canon's ALO system significantly reduces the need for post-production image optimization, and gives photographers image quality they can take directly to press. Demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent. Canon's ALO works with both RAWi and JPEG images as well as video recording.


    Rugged Reliability
    Canon has taken every measure to ensure that the EOS-1D Mark IV Digital SLR camera has the highest degree of weather resistance in the EOS line. The 1D Mark IV camera incorporates a wide range of design features that enhance its durability and reliability for professional assignments. For example, the 1D Mark IV's body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, one of the strongest and rigid metals available for its weight. For added strength, the lens mount is constructed with stainless steel. In fact, when used with Canon's Speedlite 580EX II and/or most current L-series lenses, the entire camera system remains fully weather resistant, so professionals can concentrate on getting the shot instead of worrying about protecting their gear.


    New Wireless Connectivity
    Canon is announcing the availability of the new WFT-E2 II A* wireless file transmitter exclusively for the EOS-1D Mark IV Digital SLR camera. The WFT-E2 II A wireless transmitter is an extremely small and versatile device that offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. In addition to adding the ability to connect to wireless networks over 802.11a, the new WFT-E2 II A adds a wealth of new professional features to the photographer's tool kit. The new Camera Linking feature allows a single photographer to simultaneously fire up to 10 cameras remotely; and the updated WFT Server mode lets you remotely use Live View, control settings, and fire the EOS-1D Mark IV over the internet from anywhere in the world using a standard Web browser or many Web-enabled smart phones. Additionally, geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images.


    Pricing and Availability
    The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999.00ii. Final pricing and availability for the Canon WFT-E2 II A wireless file transmitter will be available later this year.


    Ultima modifica di TheMic : 20-10-2009 a 13:20

  2. #2
    64 bit
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    che mezzaccio... io avrei voluto però un sensore FF

  3. #3
    gibibyte L'avatar di Dante
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    ne avevo gia letto su photocult di qualche mese fa, credo che il video lo reintroducono con la prima release, mentre per il resto non so...non mi entusiasma particolarmente, mi sembra piu una risposta alla ds3 prima del rilascio di qualcos'altro che bolle in pentola..
    nemmeno io amo il fatto che il sensore non sia un FF...

  4. #4
    Kam
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    La scelta di non adottare un sensore pieno formato deriva sicuramente dal fatto che la macchina, sopratutto per foto sportiva e naturalistica si avvantaggia del fattore di crop del sensore. La cosa si traduce, chiaramente, nell'aumento dell'angolo di campo delle lenti, che dà l'impressione di possedere una focale maggiore.

  5. #5
    gibibyte L'avatar di Dante
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    kam su questo siamo tutti daccordo, ma non basta fare un sensore a pieno formato e poi dotarlo di modalità crop di 1.3 o 1.5? così che si abbia lo stesso risultato perdendo qualche megapixel? infondo 16 sono parecchi...

    non so penso a coloro che acquistano ottiche per il formato pieno e poi non le usano mai sfruttando tutti i millimetri (parlo dei grandangolari ovviamente)

  6. #6
    Kam
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    Il risultato e' profondamente differente, per via della "densità" del sensore stesso. E cmq di certo e' abbastanza ridicolo farlo con 12mp, Nikon SVEGLIA che la guerra e' finita! Per le grandangolari ok, ma almeno ci risparmiamo parte dei probemi dei "bordi".. ehhe.. In ogni caso la 1D MK IV non e' una macchina da grandangolare... questo credo sia piuttosto chiaro.

  7. #7
    gibibyte L'avatar di Dante
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    ma qui non si tratta di Nikon o Canon, e penso che sia indifferente la densità se tanto si usa parte dello stesso sensore per il crop, sono daccordo che è ridicolo farlo con 12 mpx infatti qui di parla di 16 che è gia diverso e poi il crop non c'è bisogno che lo facciano a 1.5 come la nikon (non so canon) anche 1.3 appunto può essere buono...si hanno comunque 11.2 mpx che sono sempre abbasanza (calcolando che sono 12 lo standard)

    ovvio che io parlo per parlare se hanno scelto così un motivo ci dovrà pur essere...

  8. #8
    Kam
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    Si si... solo che stai trascurando un piccolo aspetto... la 1DS mark iV ci sarà a breve, con un particolare... 32 MEGAPIXEL...
    Ora... come la gestiamo la raffica di una sportiva da 32 MP????.... hihihihihi... ci devi mettere un hard disk come buffer... e pure parecchio veloce..

    Poi siamo sempre li' 12mp sono abbastanza fin quando non ne provi 15, 18, 21, 32....

  9. #9
    gibibyte L'avatar di Dante
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    e si la d1s sarà proprio ineressante...ma per questa a me resta un pò d'amaro in bocca..non capisco la scelta tutto qui...

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